Speaking of features that seemed ripe for elaboration but never got it, since the early days of Mac OS X there’s been the concept of an appearance color, but your only options were Blue and Graphite. The Dark Mode design itself isn’t just an inverted version of the light mode Apple has made a bunch of subtle design changes, including a different shadow, a very subtle light ring around the dark window to increase the definition of window edges, and a subtle background color that picks up an average color from the items that are behind it. There will need to be a method for web designers to create dark themes for their sites (not just for Mojave, but for the dark theme in Windows 10, and perhaps a future version of iOS as well). It feels like it will take a while for the dark interface to feel truly, consistently dark-not just in terms of apps being updated and redesigned to support the new appearance, but also in terms of how web design is impacted. Once you’re used to dark mode, content that doesn’t follow that sensibility sticks out even more. The interface is dark, but HTML mail content is not. Apple Mail offers a preference to display message content in dark mode (it’s off by default), but if you’re viewing a richly-formatted HTML email message, you’ll see it rendered in its usual white-background style. The fact is, a lot of app design (and content design on the Internet) assumes a standard black-on-white interface, and those assumptions can be laid bare when you enter Mojave’s dark mode. Of course, Apple has already updated its own apps to support the new dark appearance, though even there you may be surprised at some of the quirks you’ll find. Your favorite apps won’t automatically take on the dark appearance, however: app developers will need to update their apps to support dark mode. (Apple’s pro apps, Final Cut and Logic, both received dark-interface updates in the past few years.) Even if you’re not a pro, you may appreciate an interface theme that makes your photos and documents appear to pop out of the screen more, because they’re framed by darkness rather than sitting on a bright white background. But dark themes have long been popular in software that caters to content-generation professionals, who prefer to have their images or video not be swamped by a lot of bright interface chrome. Why go dark? For some people the answer will be novelty, or the sheer coolness that comes from going from an Imperial Stormtrooper color scheme to one befitting Darth Vader. Dark windows aren’t just light windows inverted. Mojave finally makes good on the promise of a true dark theme for macOS, one that can (optionally) change your Mac’s windows to be predominantly dark with light text, rather than light with dark text. In 2014’s Yosemite release, Apple added the ability to turn the Mac’s menu bar black, a perplexingly limited design flourish that didn’t extend beyond the menu bar and Dock. Is macOS Mojave the latest chapter of an ongoing story, the beginning of a new one, or the end of an old one? It feels very much like the answer is yes and yes and yes. At the same time, macOS Mojave represents the end of a long era (of stability or, less charitably, stagnation) and the beginning of a period that could completely redefine what it means to use a Mac. macOS Mojave feels like a macOS update that’s truly about the Mac, extending features that are at the core of the Mac’s identity. With macOS Mojave, available today to the general public as a part of a public beta, the story is different. What was new to the Mac was generally something that was also new to iOS, or was previously available on iOS. Note: This story has not been updated for several years.įor a few years now, it’s seemed that any forward movement macOS might make was coming in lockstep with Apple’s other platforms, most notably iOS.
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